Raise the curtain on Opera Arlington’s third season!
Drawing on the rich, complex repertoire of 1920s and '30s European cabaret, Cabaret Kunst (a title featuring the German word for "art") explores the multitude of experiences that shaped the era's artists, and the extraordinary works they made under pressure. Between the wars, the cabarets of Berlin, Paris, and Vienna became sanctuaries of radical expression, as performers, poets, and composers turned the stage into a place of simultaneous defiance and joy.
Cabaret Kunst celebrates the spirit of these “degenerate” artists: some of the few voices of their time with the bravery to speak truth to power. Join us in their world for the night—with its laughter, its heartbreak, its glittering surfaces and shadowed truths—an evening that asks us to remember why art matters, and what is lost when artists are silenced. From rarely-performed pieces straight out of Weimar, to velvety, impressionist-influenced mélodie, expect to be seduced by an evening of music unlike any other.
A 50-minute program presented in English, German, French, and Czech with English supertitles.
Please Note: Cabaret Kunst contains adult content and themes consistent with the cabaret tradition it celebrates. Opera Arlington recommends this program for patrons 15 years of age and older, accompanied by a chaperone.
ACT I
Mack the Knife from Three Penny Opera
Music by Kurt Weill (1900-1950)
Text by Bertolt Brecht (1898-1956)
No. 2 Auf flügeln des gesanges from Sechs Gesänge Op. 34
Music by Felix Mendelssohn (1809-1847)
Text by Heinrich Heine (1797-1856)
Mariettas Lied from Die Tote Stadt
Erich Wolfgang Korngold (1897-1957)
And the Times are Dark and Fearful (1934)
Music by Hanns Eisler(1898-1962)
Text by Bertolt Brecht
Das Solistiche Orchester
Peter Igelhoff, Goldene Sieben Orchestra, Harold Kirchstein
Das Lila Lied
Music by Mischa Spoliansky (1898-1985)
Text by Kurt Schwabach (1898-1966)
Surabaya Johnny from Happy End
Music by Kurt Weill
Text by Bertolt Brecht
Ain't Misbehavin' from Connie's Hot Chocolates
Music by Thomas 'Fats' Waller (1904-1943)
Text by Harry Brooks (1895-1970)
INTERMISSION
ACT II
Poem Death Fugue 1945/48
Paul celan (1920-1970)
2. Hôtel from Banalitiés
Music by Fracis Poulenc (1899-1963)
Text by Guillaume Apollinaire (1880–1918)
No. 2 On voit mourir from Six sonnets se Louïze Labé, Op. 34
Viktor Ullman (1898-1944)
Louïze Labé (d. 1566)
1. Navždy from Navždy, Op.12
Music by Vítězslava Kaprálová (1915-1940)
Text by Jan Čarek (1898-1966)
Falling in love again from The Blue Angel
Fredrick Hollander (1896-1976)
Truxa: Truxa-Fox
Leo Leux, Oskar Joost Dance Orchestra, Oskar Joost
Ich bin der welt abhanden gekommen from Rückert-Lieder
Gustav Mahler (1860–1911)
Friedrich Rückert (1788-1866)
First they came
Martin Niemöller (1892-1984)
September Song from Knickerbocker Holiday
Music by Kurt Weill
Text by Maxwell Anderson (1888-1959)
Praised for her “beautifully resonant vocal quality” (Texas Classical), Dallas-based soprano Gabrielle Gilliam is a rising Texas star. Recently, Gabrielle was a top prize winner in the Lewisville Lake Symphony Vocal Competition, and performed in their winners' showcase this fall. Ms. Gilliam has sung with the Shreveport Opera, including the roles of Fiordiligi in Così fan tutte, Mimì in La bohème, Frasquita in Carmen, and was a top prize winner in the Mary Jacobs Smith Singer of the Year Competition. In recent seasons, she joined The Dallas Opera to cover Sandrine/Mercedes in their highly anticipated production of The Diving Bell and the Butterfly, a new work by Joby Talbot and librettist Gene Scheer. She also made her mainstage debut at The Dallas Opera as Kate Pinkerton in Madama Butterfly followed by The Dew Fairy in Hansel and Gretel. Gabrielle also sang Mimì in La bohème at Painted Sky Opera, and Violetta in La Traviata at Shreveport Opera.
As a Lesley Resident Artist, she was seen as Luisa in the world premiere production of Hector Armienta’s Zorro, and covered the role of Violetta in La Traviata with Fort Worth Opera. Gabrielle was also a district winner for the 2020-2021 Metropolitan Opera Council Auditions, and was engaged in a number of virtual performances, including: a music video debut of Handel’s “Furie terribili” with Lumedia Musicworks, a virtual solo recital with The Dallas Opera’s TDO Network, virtual opera debut with American Baroque Opera Company’s production of Purcell’s Dido and Aeneas, as well as a live solo recital with Fort Worth Opera. She was also featured soloist alongside Sasha Cooke, Deanna Breiwick, and Lucas Meachem in the orchestra workshop of The Diving Bell and the Butterfly.
Having performed at The Dallas Opera, Forth Worth Opera, Florentine Opera, Opera North, Opera in Concert, and the Amalfi Coast Festival in Salerno, Italy, Gabrielle’s major role credits include Violetta in La Traviata, Blanche de la Force in Dialogues des Carmélites, Donna Anna in Don Giovanni, Hanna Glawari in The Merry Widow, and Johanna in Sweeney Todd. As an Outreach Artist at The Dallas Opera, she performed the role of Bastienne in the touring production of W. A. Mozart’s Bastien and Bastienne, and Dorabella in The Bremen Town Musicians.
Porsche Velour is a burlseque dancer and instructor in DFW. Dripping in charisma and velvet allure, Porsche Velour brings a decadent mix of classic tease and high-voltage choreography to the stage.
Since stepping into the burlesque spotlight in 2023, she’s been seducing audiences across the U.S. with her blues-soaked soundtrack, playful curves, and unapologetic charm. Equal parts sultry and electric, Porsche is the kind of performer who doesn’t just steal your gaze: she lingers in your memory long after the curtain falls.
This production would not be possible without the generosity of our donors. Thank you for being a part of our mission to empower artists and enrich our community through music! To become a part of the Opera Arlington family and join the movement for the arts in our city, please consider making a gift today.
By supporting the arts through Opera Arlington, you're bringing more music to life in our community, and empowering emerging musicians through paid performance opportunities. Opera Arlington is a community-driven organization that relies on your support. Join hands with us to ignite a passion for the arts and culturally enrich our community in Arlington and DFW. Make a gift today and become a part of the Opera Arlington family.
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